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Description

Collage materials, glitter, vintage advertising gel prints, acrylic and oil paint, on canvas, framed. 21"x19" Framed

Made in 2025. This mixed media painting merges portraiture with abstraction, pulling the viewer into a fractured face that hovers between recognition and dissolution.

Fragments of text linger faintly, suggesting the collision of personal identity with larger cultural narratives of guilt, judgment, and belonging. These words blur into the painterly field, neither fully legible nor fully erased, as if memory and meaning are suspended in flux. The composition resists coherence, instead embodying tension: between exposure and concealment, vulnerability and defiance. The face is not simply depicted but interrogated.

The Convict reflects on how identity is shaped by forces beyond the individual—history, language, and the systems that define and confine. Through its layered marks and fragmented voice, the work embodies resilience within disruption, offering a portrait that is less about likeness than perception.

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The Convict

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Description

Collage materials, glitter, vintage advertising gel prints, acrylic and oil paint, on canvas, framed. 21"x19" Framed

Made in 2025. This mixed media painting merges portraiture with abstraction, pulling the viewer into a fractured face that hovers between recognition and dissolution.

Fragments of text linger faintly, suggesting the collision of personal identity with larger cultural narratives of guilt, judgment, and belonging. These words blur into the painterly field, neither fully legible nor fully erased, as if memory and meaning are suspended in flux. The composition resists coherence, instead embodying tension: between exposure and concealment, vulnerability and defiance. The face is not simply depicted but interrogated.

The Convict reflects on how identity is shaped by forces beyond the individual—history, language, and the systems that define and confine. Through its layered marks and fragmented voice, the work embodies resilience within disruption, offering a portrait that is less about likeness than perception.